Euphonix ML530 Instruction Manual Page 56
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System 5 Digital Audio Mixing System Operation Manual eMix Application
56
4.4 Externals
Click the Masters tab at the bottom of the eMix window, At the bottom left of the win-
dow, click the Externals button to configure the Externals. Externals are configured in
the same way as Mix and Group busses.
4.5 System
System 5 can be customized for each studio and application. The number of channels,
busses, and external inputs available in any System 5 depends on the amount of pro-
cessing in the DF64 Digital Core.
For a given number of processing cards, several different Mixer Models can be config-
ured, each with different numbers of channels, mix and group busses, and aux sends.
Mixer Models are supplied on CD-ROM and selected from within eMix. A system can
be quickly and easily switched from stereo to surround sound, multiple-stem mixing by
selecting from the available Mixer Models installed on the system.
The number of the DF64 Digital Cores determines the amount of processing available to
the system: one, two, three, and four core systems are available. The system can be ex-
panded at any time.
4.5.1 Mixer Model
Choosing a Mixer Model
The Mixers Models that support 96 kHz are intended for music applications requiring
the highest digital sound quality where sources are analog or 24-bit 96 kHz (i.e., R-1
multitrack recorder). For lower resolution sources, such as 16-bit 44.1 or 48 kHz from
digital recorders like the Sony 3348, the 44.1/48 kHz sample rate Mixer Models are
more suitable. For post-production and on-air broadcast, 48 kHz is a perfectly accept-
able sample rate that will provide adequate audio quality with twice as many channels
as 96 kHz.
When choosing a Mixer Model, give careful consideration to the combinations of
channels, mix and group busses, aux sends required. For many applications (other than
multiple stem post mixing), the maximum number of mix busses used is six for a 5.1 Sur-
round Mix Section. Take extra care in selecting the number of Aux sends you need in
your system: they always seem to be used up!
- Euphonix System 1
- IMPORTANT SAFETY INSTRUCTIONS 3
- Table of Contents 5
- List of Figures 13
- List of Tables 17
- Chapter 1: Introduction 19
- 1.1 How to Use This Manual 20
- 1.2 System 5 Hardware 22
- 1.3 System 5 Startup Sequence 24
- Auto Match 25
- Fill Start and Fill End 25
- Notch Filter 26
- Extended Delay Time 26
- Channel Path Order 26
- TFT Display Additions 26
- Surface Changes 27
- 3.1 Connect and Play a CD 29
- Figure 3-3 Cabling 31
- Chapter 4: eMix Application 35
- Figure 4-1 Projects Window 36
- 4.1.2 Titles 37
- Figure 4-3 New Title dialog 38
- 4.1.3 Mixes 39
- Figure 4-4 Mixes Window 40
- 4.1.5 Title Defaults 42
- 4.2 PatchNet 45
- 4.2.1 Console I/O 46
- 4.2.3 Cabling 47
- 4.2.4 Patching Examples 48
- 4.2.5 Mix Bus Send/Return 52
- 4.2.6 Monitor Patching 53
- 4.3 Busses 54
- 4.3.1 Law Palette 55
- 4.4 Externals 56
- 4.5 System 56
- Figure 4-19 Mixer Models 57
- 4.6 Folddown 59
- 4.7 Diagnostics 60
- 4.8 Masters 61
- 4.9 Conform 61
- 4.10 Events 61
- 4.11 System 5 Logo 61
- 12:24.03.10 63
- 00:16.12.04 63
- 5.1 Monitoring 64
- Control Room 65
- 5.1.4 SLS/Cue Monitor Outputs 68
- 5.2 Communications 69
- 5.2.1 Talkback 70
- 5.2.2 Listenback 71
- 5.2.3 Oscillator/Slate 72
- 5.3.1 Solo Mode 75
- 5.3.2 Solo Level 76
- 5.3.3 Solo Clear 76
- 5.3.5 Solo Speaker Selection 76
- 5.3.6 Solo Speaker Dim 76
- 5.3.7 Solo-Safe 77
- 5.3.8 Backstop PFL 77
- 5.4 Meters 78
- 5.4.2 Master Section Meters 81
- 6.1 Channel Select Panel 85
- 6.2 Knobset Panels 86
- 12:GuitAux 87
- 6.3 Bus Routing Panel 88
- 7.2 Bus Master Functions 90
- 7.2.2 Bus Lock 91
- 7.2.3 Mon Lock 91
- 7.2.4 Mix Bus 91
- 7.2.5 Group and Aux Busses 93
- 7.3 Mix and Group Bus Setup 94
- 8.1 Strips 95
- 8.1.3 Strip Utilities 100
- Select key 102
- 8.2 Channel Control Features 103
- Figure 8-7 Fader Controls 104
- 8.2.5 Wave Key 105
- 8.2.6 All Mode 105
- 8.2.7 All Knobs Key 106
- 8.2.8 Copy and Paste 106
- 8.3.1 Channel Patch Points 108
- 8.3.2 Channel Processor Order 109
- 8.3.3 Insert Point 109
- 8.4.1 Inputs 110
- Stereo Controls 112
- 8.4.2 Dynamics 113
- Sidechain/filters (page 4) 115
- 8.4.3 Equalizers and Filters 117
- 8.4.4 Aux Sends 119
- 8.4.5 Pan 122
- Figure 8-17 Pan graph 124
- 8.5 Channel Mixing Functions 125
- 8.5.2 Mix Bus Routing 126
- Multi Format Masters 127
- 9.1.1 Create Control Group 128
- 9.1.3 Modify Control Group 129
- 9.1.4 Name Control Group 129
- 9.1.5 Clear Control Group 129
- 9.2 Multi Format Masters 130
- 9.3 Spill Area 131
- 10.1 Layouts 134
- Figure 10-1 Layouts Panel 135
- 10.1.2 Recall a Layout 136
- 10.1.3 Modify a Layout 136
- 10.1.4 Rename a Layout 136
- 10.2 Snapshots 137
- Snapshots 138
- 10.2.2 Recall a Snapshot 139
- 10.2.3 Update Snapshot 139
- 10.2.4 Rename a Snapshot 140
- 10.2.5 Delete a Snapshot 140
- Chapter 11: Machine Control 141
- 11.1 Transport Controls 142
- 11.2 Locate Controls 143
- Locate Registers 144
- 11.2.4 Locate Key 146
- 11.2.5 Return Key 146
- 11.2.6 Title Start 146
- 11.2.7 Cue Points 146
- 11.3 Track Arming 148
- 11.3.1 Record in Motion 149
- 11.3.2 Track Arm in Motion 149
- 11.3.3 On Transport Stop 149
- 11.3.4 Arm While Stopped 149
- 11.3.5 TC Lock 149
- 12.1 Input Types 152
- 12.2 Output Types 153
- 12.3 Logical Operators 154
- 12.5 Event List 155
- 12.6 Input 155
- 12.7 Output 156
- 12.8 Deleting Events 156
- 12.9 GPI Examples 157
- 12.9.7 Audio Follow Video 163
- 13.1 Overview 167
- 13.2 Automation Interface 168
- 13.2.1 Automation LEDs 169
- 13.2.2 Select/Punch Keys 169
- 13.2.3 All Knobs Key 169
- 13.3 Automation Modes 170
- 13.3.3 Write Absolute 171
- 13.3.4 Write Trim 171
- 13.5 Recording Automation 175
- 13.5.2 Switches 176
- 13.6 Playing Back Automation 177
- 13.6.2 Read 178
- 13.6.3 Isolate 178
- 13.6.4 Write Trim 178
- 13.7 Modifying Automation 179
- 13.7.2 Knob Glide Modes 180
- 13.7.4 Switch Automation 182
- 13.8 Fill Features 183
- AutoFill On 184
- Figure 13-12 Automation Panel 185
- 13.8.2 Fill Start 186
- 13.8.3 Fill End 186
- 13.8.4 Fill Start + Fill End 187
- 13.8.9 Fill to Punch 189
- 13.9.1 Preview 189
- 13.9.2 Join 190
- 13.9.3 Snap Mode 191
- 13.9.4 Update on Locate 191
- 13.9.5 All Match 191
- 13.9.6 Auto Match 191
- 13.11 Bus Master Automation 192
- 13.12 Mix Assigns 192
- 13.13 Managing the Automation 193
- 13.13.3 Automation Conform 196
- 14.1 CM403 201
- 14.2 The Film Panel 202
- 14.2.1 The PEC/DIR Panel 203
- Sl Sc Sr B 204
- Speaker Re-Assign 206
- Figure 14-6 Solo Safe 207
- 14.2.3 CM403 TFT Display 208
- 14.3 Joystick Module 210
- 14.3.3 Layouts 211
- 14.3.5 Punching in a Joystick 211
- 14.4 Multi-Operator Console 212
- 14.5 Solo Linking 212
- 14.6 Patching 212
- 14.7 Machine Control 213
- 14.8 Track Arming 213
- 14.9 Solo-In-Place 213
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