Euphonix Modular I/O Specifications Page 89

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Chapter 9: Mic/Line Analog Modules 89
Configuration for Console Control
The AD914 is controlled by System 5 and Max Air consoles by connecting the frame’s FC972 Remote network port to the System
5/Max Air network switch. Mic settings (gain, +48 V, high-pass filter, etc.) are controlled from the console surface. Settings are
saved to console Title files and recalled when a Title is loaded.
For proper console mic control, you must use the correct frame address which is determined by the IP Address of the installed
FC972 remote. The following table shows addresses used by the system. The FC972 network Gateway setting is 192.168.0.1 in all
cases (the address of the console’s System Computer).
AD914 CAN IDs
A Modular I/O frame employs the CAN-bus for internal communication and remote control. For proper operation each module
in the frame must have a unique CAN ID. Use the CAN Rotary Switch to set the CAN ID in range 0–16.
AD914 Mic Pres CAN IDs should be set starting from the lowest address and continuing upwards without gaps. The CAN ID of
the module determines the mic preamp’s position within the Console Control Port:
Console Mic Control Port TCC (ML530) Frame IP Address
Mic Control Port 1 TCC2 192.168.0.150/255.255.255.0
Mic Control Port 2 TCC3 192.168.0.151/255.255.255.0
Mic Control Port 3 TCC4 192.168.0.152/255.255.255.0
Mic Control Port 4 TCC5 192.168.0.153/255.255.255.0
Mic Control Port 5 TCC6 192.168.0.154/255.255.255.0
Mic Control Port 6 TCC7 192.168.0.155/255.255.255.0
Mic Control Port 7 TCC8 192.168.0.156/255.255.255.0
Console mic control ports may be used by any combination of Modular I/O Mic Pre frames or ML530 Mic-Line Interfaces
(controlled with a TCC serial control interface). Do not double-assign a mic control port by connecting an ML530 to a TCC
control line and a Modular Frame addressed to that port’s equivalent IP Address. For more information about TCC control,
see the System 5 or Max Air Guides.
CAN ID Mic #s CAN ID Mic #s
0 1–4 8 33–36
1 5–8 9 37–40
2 9–12 10 41–44
3 13–16 11 45–48
4 17–20 12 49–52
5 21–24 13 53–56
6 25–28 14 57–60
7 29–32 15 61–64
Although 64 mic preamps can be controlled in a single frame, be careful not to overload the frame’s PSU capacity.
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